I'm the third generation from Holocaust survivors. My grandfather, Eliezer Rosenberger (RIP), survived Auschwitz. My Grandmother, Ruth, survived Birkenau. As a child, I grew with the Holocaust always in the background. The question of this person that inflamed with such hatred one of the most cultured nations on the globe troubled and fascinated me.

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     I decided to set on a journey to find the answer (if there is one) to this enigma. Eight years of my life I've invested in researching this phenomena and writing the play about the young Adolf Hitler: Who was Hitler before he came to be “Hitler”? What are the elements that built his extreme agenda and concept of life? What has led a young boy who dreams of becoming a painter, to become a politician, with an agenda that is based on such poisoning racism?

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     The structure of the show uses a frame story of a young, desperate, and anonymous ex-soldier, trying to prepare his speech for the admittance committee of a new small right wing political group, The German Workers Party. As he prepares for his interview, critical events of his life, his family, his ambitions, moments of crisis, and key characters he met – all reappear in his memory and in front our eyes; Fragments from his childhood, adolescence, dreams, nightmares, being homeless in Vienna, his military service, and more. All these create a collage of his emerging pathological personality. The interview, at the end of the show, goes well. He's being accepted to the seven members' esoteric party, which he will make in a few years to be the German National workers party – The Nazis. 

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     In 2009, I was invited to direct the play at the Theater Building in Chicago. The show premiered under the name "A.H. – Before he changed our history"

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 Habima  National Theater, Theater-Neto Festival, Tel Aviv 2005